May 2007
I did a lot of experimenting with scene-setting this quarter.
I approach with tourniquets of phrase.
This is the last angle of autumn
when the setting sun will cast its
full red light on the cathedral floor
through the stained-glass cape of St. Martin.
I have not been in a church
with even one other
for many years.
Red as a rosary, reading,
in this place that belongs to neither of us,
the air currents, you rise
and prepare to take wing.
In the rafters there is a nest of owls.
Night will bring them down
on the church mice.
This vault is a dry gulf.
Fragile I want starves in the aisle
I love pools around columns
I dreamt of clings to a caesura,
shocked to be spoken, hanging in space.
I believe the architect designed
the wide south doors,
which you fling open, facing the sea
with only this moment in mind:
Flight.
Come back when the moon is bright and the past is deaf,
when autumn’s light is singed into the stone.
Come banging on oak, calling
“Sanctuary! Sanctuary!”
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