April 2007
A poem is really just a joke without a punchline.
So somewhere in the mountainous districts near Kyoto,
This jet-lagged bluegrass shows up, and sociologists descend
Like a swarm of tweed locusts and notebooks, and first
They speak to the old monk at the top of the mountain,
Who taught Shinto to the Buddha,
Who taught Nirvana to God,
The summary of all monks and all summits,
Who greets them by offering from his fireplace
A hot coal, and bids them deliver to the vendor
Of bamboo hats at the foot of the mountain, who
Once cheated the monk by broad application of maxim,
“Change comes from within.”
The sociologists, who consider arson beneath them,
A matter for anthropologists, press on in an attempt
To dissect the heart of the matter, and discuss with assembled
Musicians, coopers, potters, and the makers of copper wire
(As all the new bands are electric)
The extent of the flourishing scene,
With a digression into authenticity of late Meiji ceramics,
But the scene is amphibious, a loose conglomeration
Of shorebirds, sherpas, and fiddler crabs,
A narrow-winged long division between ribbons
Of rushing sand and sharp fragments of feral pine
Beaten together on a stone ridge with a steel string.
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